2016–2017 Encore Young Artists

Encore Young Artist Program

2016–2017 Artists

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Samina Aslam

Samina Aslam, soprano 

Samina Aslam is quickly gaining recognition for her superb artistry and unique sound. Samina, whose voice has been described as “finely tuned and warmly registered” has performed throughout the United States and Europe. Ms. Aslam has been praised as entertaining with her “bright voicings and agility”.

Ms. Aslam recently completed her studies as a Resident Artist at the Boston University Opera Institute. Some of her performances at BU include Cendrillon in Cendrillon, Zina in Dark Sisters, Donna Elvira in Don Giovanni, and Micaëla in La Tragédie de Carmen. As Cendrillon, Ms. Aslam was said to have “a velvet tone that can build to a powerful clarion”.

Ms. Aslam completed her graduate studies at the Cincinnati College-Conservatory of Music where she performed Donna Elvira in Don Giovanni. She received her Bachelor’s degree from Louisiana State University and is also a High School graduate of the prestigious University of North Carolina School of the Arts.

Ms. Aslam’s professional debut was in 2008 as the Second Spirit in The Magic Flute with Opera Louisiane. She soon ventured to Europe, where she appeared in concerts at CCM Spoleto, and as Hélène in La Belle Hélènewith the Franco American Vocal Academy. In 2012 she was a Young Artist with Opera North as Tuptim in The King and I. Other past professional engagements include performances with Cincinnati Opera, NANOWorks Opera, and the Cincinnati Fringe Festival.

Ms. Aslam has performed actively in Boston with Boston Lyric Opera, Masterworks Chorale, and Opera del West. She has recently relocated to New York City and looks forward to her upcoming performances with Ars Musica as an Encore Young Artist. Ms. Aslam has lived all over the United States but was born and raised in Anchorage, Alaska.

Augusta Caso

Augusta Caso, mezzo soprano

Hailed by the LA Times as “mysteriously smoldering…a name to remember,” mezzo-soprano Augusta Caso is becoming known for her “silken…beguiling mezzo” and “fine subtle acting” (Brooklyn Daily Eagle). Her 2015-2016 season included covering Mercédès in Carmen as an Emerging Artist with St. Petersburg Opera (FL) and performances of Mahler’s Rückert-Lieder with the Manchester Symphony Orchestra (CT); Berlioz’s Les nuits d’été with the South Shore Symphony (NY); and Handel’s Messiah with the Winston-Salem Symphony (NC).

In the upcoming 2016-2017 season, Ms. Caso will make her debut with the Center for Contemporary Opera (NYC) as Anaïs Nin in a double-bill of Andriessen’s Anaïs Nin and Odysseus’ Women, and will create the role of Margaret’s Ghost in The Triangle Fire, a new opera by Leonard Lehrman. Augusta will join Caramoor’s Bel Canto Young Artist program as an Apprentice Artist in summer 2016 in Katonah, NY.

Her 2014-2015 season included role debuts as Rosina in Il Barbiere di Siviglia with Regina Opera (Brooklyn, NY); Cherubino in Le Nozze di Figaro with Bronx Opera; the title role in Carmen with Regina Opera; and Stéphano inRoméo et Juliette with Maryland Lyric Opera. She also sang with Divaria Productions (NYC) in the creation of a new production about Isabella Colbran-Rossini.

Ms. Caso made her recital debut in Brooklyn in October 2014, which included the world premier of a song cycle by composer Jay Vilnai. In 2015 she performed at Songfest in Los Angeles. She received Honorable Mention at the 2014 Bach Vocal Competition and was an Apprentice Artist with Ash Lawn Opera in 2013. Additional operatic roles have included Poppea in L’incoronazione di Poppea; Sesto in La Clemenza di Tito; Dorabella in Così fan tutte; and Johanna in Sweeney Todd.   Augusta received her Bachelor of Arts with Highest Honors from Williams College in Williamstown, Massachusetts. She received her Master of Music from the University of Oklahoma, where she was the recipient of a Weitzenhoffer College of Fine Arts Opera Fellowship. Augusta grew up in Phoenix, Maryland and studies with Andrea DelGiudice.

Ravon Middlebrooks

Ravon Middlebrooks, tenor

Ravon Middlebrooks’s career thus far has brought him to many prestigious venues, such as The Kennedy Center in Washington, DC; the Hill Auditorium in Ann Arbor, Michigan; and international venues throughout Luxemburg, France and Germany. Mr. Middlebrooks’s operatic repertoire includes the roles of Monostatos (The Magic Flute), Pedrillo (The Abduction from the Seraglio), and most recently, the title role of Massenet’s Werther. Last year, Mr Middlebrooks created the role of the Preacher in Death and the Drifter, by Emily DeWoolfson, as well as Giles Corey (The Crucible).

Mr. Middlebrooks is a native of Newark, NJ and has recently obtained his Masters of Music Degree at the University of Delaware.

Jeremy Hirsch

Jeremy Hirsch, baritone

New York City-based baritone, Jeremy Hirsch, who “proved a compelling actor and singer” (Los Angeles Times) as the exiled poet in Hanns Eisler’s The Hollywood Songbook, enjoys performing a wide range of opera, art song, and concert repertoire. Hirsch has sung with the Fire Island Opera Festival multiple times, Opera of the Avalon, Baltimore Lyric Opera, the American Symphony Orchestra, the Albany Symphony, and Opera on Tap among other companies.

Hirsch has had the privilege of creating a number of operatic roles including the title role in Felix Jarrar’s The Fall of the House of Usher, Harlan Hubbard in Shawn Jaeger’s Payne Hollow, Dr. Burkley in Joshua Bornfield’s Camelot Requiem, and most recently John in Daniel Felsenfeld’s The Inner Circle.

As an art song recitalist, he was a fellow at the Toronto Summer Music Festival and a Colburn Fellow at Songfest in Los Angeles. He has sung recitals at Northwestern University, Arizona State University, in the Vanderbilt Mansion in Hyde Park, at the Romanian Embassy as part of the Washington D.C. Embassy Series, and elsewhere in the United States and abroad.

Hirsch studies with baritone Sanford Sylvan and is a graduate of Dawn Upshaw’s Graduate Vocal Arts Program at the Bard College Conservatory of Music and of Peabody Conservatory and Johns Hopkins University.



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Ars Musica’s concert season is made possible in part by a grant administered by the Bergen County Division of Cultural & Historic Affairs from funds granted by the New Jersey State Council on the Arts.



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